Cristina Iglesias spotted enjoying Camilo's concert at Marbella Starlite Festival

BGUK_3347789 - Having filled the auditorium the night before, he was the master of ceremonies for the festival's finale, bringing the final touches to more than two months of live music in Marbella. Camilo Echeverry Correa was born in Medellín in 1994 and, at just 13 years old, was already taking to the stage thanks to a television show that opened the door to the Colombian music industry. After releasing his first solo works, he found a new path as a composer in Miami, where he wrote global hits like "Sin Pijama" (Becky G and Natti Natasha). Since then, his rise has been meteoric: albums like "Por primera vez" and "Mis manos" cemented him as one of the most influential voices in Latin pop today, with generational anthems like "Tutu," "Vida de rico," and "Ropa cara." The night began with "Una vida pasada" and "Millones," a kickoff that set the tone for what would once again be an intense and emotional evening. From the stage, Camilo delivered his signature message: "Love is our revolution," a phrase that became the guiding principle of a concert in which there was no distance between the artist and his audience. One of the most special moments came with a sensitive medley featuring "No se vale," "Mismo aire," and "Salitre." After those intimate minutes, the energy returned with a vengeance in "Favorito," "Bebé," and "Manos de tijera," which were sung along to from beginning to end. The concert also featured acoustic versions of "Querida yo" and "Tutu," showcasing Camilo's most intimate side before unleashing the party with "Vida de rico." As in every concert, Evaluna appeared to sing songs like "Machu Picchu" and "Índigo" alongside Camilo. Their presence is much more than a musical duet: it's a seal of authenticity and complicity that the audience expects and celebrates, true to their unique way of sharing life and stage. But the big surprise of the night came with the performance of Vanesa Martín, whom Camilo affectionately introduced. Together they sang “Polvo de Mariposas”: “A while ago, before I had even come to Spain, I played guitar at home and covered songs by artists I admired. I recorded a song by a Spanish artist who, at the time, seemed unattainable and distant, like the ocean that divided us. Life is so strange and twists and turns, that I can't believe that tonight I'm going to sing that song with this artist I love and admire. Please welcome Vanessa Martín!”